Going for the Goth {New Braunfels Photographer}

Sometimes I get so wrapped up in the day-to-day routine of my work that I forget why I got into photography in the first place. Sometimes I feel like I'm in it to please other people and not myself. But lately I've learned the best way to stay in it for the fun of it is to keep shooting what I want to shoot, in addition to shooting what everyone else wants me to shoot. I understand that it's about pleasing the clients sometimes. Each of us is an artist at heart and we all have our own ideas and we love it when we see our concepts brought to life. But I love it when my clients say, "I trust you, Lisa. Whatever you think is fine with me."

So I had this concept for a trash the dress session that I have not been able to convince any of my lovely trash the dress brides to try. Rather than abandon the idea altogether, however, I decided to do it anyway. To do it my way. So I met Jessica, a model from New Orleans who heard I was coming to town and wanted to work with me to create this series of gothic, creepy bride in a cemetery images.

We met up at the crack of dawn at one of the oldest cemeteries in town -- the one with the body of the voodoo queen Marie Laveau. It was a scary part of town to begin with but we felt pretty secure amongst the dead people. Moreso than the living a block away. Jessica had her make-up fixed perfectly for the concept I was going for. I pulled out a vintage wedding dress I found at a thrift store and we got to work -- or should I say "play." Jayme got to play with his infrared camera again, which we discovered was perfect for the vision I had.

It was tons of fun exploring the creepy old crumbling crypts. The voodoo queen grave had little obscure offerings all around it as well as XXXs marking the secret wishes of the living, praying for help from the deceased woman. Although I don't know what a deceased voodoo queen would want with a tampon or a tube of lipstick, but go figure.

The sun got high fast during our session and the heat radiated off of the white tombs so we ended our morning session as the tourists began to arrive. But the fun for me was just starting. I had a blast sitting down back at home to edit these images. The cool thing was that I could do as much as I wanted to them in Photoshop as far as adding the creepy special effects. They totally worked for this series.

This session did a lot to remind me what I love about photography. Having the power to create something in your mind and then bring it to life. I've made it my priority to continue to shoot what I want to shoot in addition to shooting what my clients want. My mind's eye has already started working on the next concept. I don't want to give it away but I'm going to need some help with it. Anyone know a good body painter?

Lisa On Location Photography

New Orleans or Bust {New Braunfels photographer}

It's been a bit of a whirlwind week for Lisa on Location. Today is my daughter's birthday and it always seems to hit me at a bad time. I'm coming down from the Christmas rush a little bit heavier around the middle and thinner in the wallet. My party planning energies are low and to top it all off, this is the month of the big PPA annual convention, Imaging USA. This year took us to New Orleans. I'm finally catching up on the laundry and getting ready for a houseful of 10- and 11-year-old girls to invade but I thought I'd take a break and recap some of my New Orleans experiences.

To set the scene here let me just describe my usual trip-going prep work. I usually painstakingly map our way--if we're flying I have the arrival and departure times memorized, I know how to get from the airport to the rental car place or whether or not there are shuttles to our hotel. I know exactly which sites we'll see which days and their hours of operation and ticket prices (which are usually pre-purchased online). If we're driving I know where we'll be at each moment calculating how fast we're going and stops for bathrooms. I have a Roadside America app on my phone and I have each of those silly stops mapped out. It's only two hours out of our way to see the second-largest ball of twine in the country--well, why not? I'll just include that in the itinerary. This time, however, was a total wing it. I knew we were going. I scheduled it back in June. I just failed to make the time to plan it out.


We hit the road and went. I did use my app to see the sites along the way. We found the third-largest fire hydrant in the world just a half mile from the interstate (it used to be the first until those darn Canadians went and made one bigger). We stopped to pose in the Frog Capital of the World. We had our fun on the way. We arrived at the hotel starving and ready for some good old jazz on Bourbon Street. Imagine our surprise when we hit Bourbon Street on Saturday night and were greeted by a group of drunk women in sparkly dresses and super high heels. I believe one vomited in the gutter and another fell down in front of a street band, giving a peep show to the trombonist. We ventured a bit further and saw the Hustler Club, a few prostitutes and drunk college guys. Lots and lots of drunk college guys. It didn't help the overall mood when the Saints lost to the 49ers in the playoffs. "Where are the jazz clubs?" we asked each other.


Apparently not on Bourbon Street, we were told. I finally met up with a New Orleans local on the second day of the conference and learned that most of the decent jazz clubs were a few blocks away from the French Quarter on Frenchman Street. I see. So my sudden failure in not planning our trip per my usual anal--er, I mean--thorough measures failed me this time. No worries, however. We saw a side of New Orleans that was not in the brochures. They don't tell you about the stench of urine and vomit that permeates Bourbon Street. "There's a reason it smells that way," my new local friend told me.

We had a great time at the photography convention. I learned a lot and made lots of new photographer friends. We even got to boogie to 50 Amp Fuse, "the world's greatest cover band" at Canon's big party on opening night. Performing with 50 Amp Fuse was Mark Rivera, Billy Joel's long-time sax player who has also toured with Ringo Starr's All-Starr Band and did the incredible arrangements of the horn section on Peter Gabriel's hits "Slegehammer" and "Big Time." Billy Joel's guitarist, Tommy Byrnes, was also in the band. For Jayme, a huge Billy Joel fan who's seen these guys several times in concert (from the nosebleed seats) getting right up there next to the stage was a very cool experience.

We did return to Bourbon Street on Monday night with some of our best friends who moved to Slidell a few years ago. We were a little wary about it after our Saturday experience, but we wanted to try the Acme Oyster House. After an excellent meal and some great conversation we went for a walk down Bourbon with our friends and found the atmosphere much improved. Not so much drunken debauchery and there was an amazing jazz band playing at Maison Bourbon, led by fantastic trumpeter Jamil Sharif. So, I guess it depends on the time of week and perhaps time of year that you make that trip. I can't wait to return to New Orleans. I totally missed Jackson Square and we never even saw the river even though we were right next to it while in the convention center.


Now back to party planning of a different kind. I have a little girl who's going to be very disappointed if I can't get these candles to look just right.

Lisa On Location Photography